![]() ![]() I’m more into electronic and modern hip hop myself (hate using the word trap). The Neve Setting was cool as was the eq but then I might as well just get a Neve preamp. I'm starting to think its rad, but only if you use it right.Subscribe to my channel for more excellent videos Harrisons Mixbus is a real. I can pull off Accoustic Americana, EDM, LOFI hip-hop and heavy metal with it, which is why I got it in the first place (it's versatile)Yeah I think it suits acoustical stuff better.i watched a demo video on YouTube where the guy was using it on bass heavy tracks and the mojo section was pretty useless as it broke up really easily. I can be clear and crisp, dirty and gritty, or vibey depending on how I use the machine. This video breaks down my mixbus processing: the EQ, saturation, compression, and limiting decisions I make on the master bus.Connect on Facebook http://www. Neither is great for 'unfreeze' type recall, but that exact functionality just isn't in the cards for Mixbus. There are workarounds those of us with underpowered machines use. The Silver Bullet helps me pull off all these sounds. There is no process in place or freeze function in Mixbus. and the 'glue' achieved by both tracking and mixbus processing choices. I most at home with hip-hop, but I work with everything, and also do "sample creation" (make music that hip hop producers sample, more soul based)Ĭurrently mixing a bluegrass album,a singer song writer that is inspired by Thom York, a rap album that is full on obnoxious trap, and a piano based artist that has a string quartet throughout.Īnd I have landed commercials in almost every genre. for an in-depth discussion in this video, Get in the Mix: Using mix bus compression, part of Audio Foundations: Compression and Dynamic Processing. The overall mix-bus was going through mastering equalization, mix-bus.
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